Very exciting indeed. Its certainly not difficult to find the words to wax at length about the understated proficiency and simple charm of Gruns captivating work, but perhaps it would be best to let the artist speak for himself. In an interview featured in the March, 1899, edition of The Poster, Grun summed up his graphic goals as follows: Since [1891], I believe that I have done about fifteen (posters), in which I have tried to find new and simple effects. Two or three colors are quite sufficient to produce something interesting. Black and white, with a touch of red or green.As for my subjects, I search for them always in the same places: in the theatres or caf,-concerts, for which I have done all my affiches (p. 100). Surely some of the best posters of the Belle Epoque are by Grun; playful and lusty fun, with minimum color and maximum wit. Rare!
Giclee Prints are printed on heavy matte finish 180gsm German art paper using the finest Canon archival inks. Entry Level Art Prints are printed on 250Gsm satin paper. Quality Frame with a single white matboard and Acrylic glazing.
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Stretched Canvas is stretched by hand over 1.5" thick pine bars and printed on cotton poly matte finish canvas. Each is canvas hand coated with Hahnemuhle UV/Archive coating, these are Swiss quality best in industry canvases.
All our images are digitized from the original negative , printed and assembled in Switzerland to museum standards by our master printer.
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Artwork in this collection is from our own archives or licensed archives. Reproduction rights are reserved by the copyright owner. All of our prints' sizes refers to paper size. Our image sizes vary from image to image and respect the original ratio of the original poster. This means that there is a varying white border on all sides to keep the original ratio true to the original.