Louis Kurz was a leading figure in Chicagos rise to prominence as a lithographic center around the time of the Civil War. An Austrian who emigrated to the United States in 1848, he fought in the Union army and became a personal friend of Abraham Lincoln. He was a mural painter and on, of the founder, of the Art Institute of Chicago. He became partners with Alexander Allison in 1879, and by 1889 the Kurz & Allison catalogue boasted over 2 million pictures in stock. They called themselves Art Publishers; a con-temporary wrote, Their business consists in designing for large establishments of all kinds, and originating and placing on the market artistic and fancy prints of the most elaborate workmanship. Apparently often drawn by Kurz himself, they ranged from Civil War bat-tle scenes, portraits of Lincoln and railway advertise-ments to a series ingeniously titled Female Bathers, featuring bevies of nude forest nymphs. The impres-sive figure shown here symbolized Liberty and cer-tainly stirs patriotic feelings in the hearts of men. Most probably, this was in conjunction with the 1893 Colombian world exposition and Kurz himself may very well have been the artist. Rare!
Giclee Prints are printed on heavy matte finish 180gsm German art paper using the finest Canon archival inks. Entry Level Art Prints are printed on 250Gsm satin paper. Quality Frame with a single white matboard and Acrylic glazing.
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Stretched Canvas is stretched by hand over 1.5" thick pine bars and printed on cotton poly matte finish canvas. Each is canvas hand coated with Hahnemuhle UV/Archive coating, these are Swiss quality best in industry canvases.
All our images are digitized from the original negative , printed and assembled in Switzerland to museum standards by our master printer.
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Artwork in this collection is from our own archives or licensed archives. Reproduction rights are reserved by the copyright owner. All of our prints' sizes refers to paper size. Our image sizes vary from image to image and respect the original ratio of the original poster. This means that there is a varying white border on all sides to keep the original ratio true to the original.