Possibly the rarest, definitely the most fully expressive among the few posters of this noted symbolist painter and sometimes graphic designer. The lady pointing to one of the items available from print and poster dealer Pierrefort is one of De Feure's most enigmatic women: her face is alluring yet inscrutable, with a touch of slyness or private amusement: Is she mocking us, or simply being ambiguous? Millman calls this his most Japanese-influenced poster. Pierrefort, along with Sagot and Arnould, was one of the most important poster and print dealers of Paris in the 1890s who often befriended promising graphic artists whose work he savored. Three of these proteges created posters for his gallery: Henri Gabriel Ibels, P.H. Lobel and De Feure. Pierrefort was especially close to Toulouse-Lautrec, whose work he published and exhibited toward the end of the painter's short career.
Giclee Prints are printed on heavy matte finish 180gsm German art paper using the finest Canon archival inks. Entry Level Art Prints are printed on 250Gsm satin paper. Quality Frame with a single white matboard and Acrylic glazing.
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Stretched Canvas is stretched by hand over 1.5" thick pine bars and printed on cotton poly matte finish canvas. Each is canvas hand coated with Hahnemuhle UV/Archive coating, these are Swiss quality best in industry canvases.
All our images are digitized from the original negative , printed and assembled in Switzerland to museum standards by our master printer.
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Artwork in this collection is from our own archives or licensed archives. Reproduction rights are reserved by the copyright owner. All of our prints' sizes refers to paper size. Our image sizes vary from image to image and respect the original ratio of the original poster. This means that there is a varying white border on all sides to keep the original ratio true to the original.
